The half-hour series will center on a young Jewish woman living in New York, balancing her family obligations with her life as a college student with the demands of being a sugar baby. Seligman is set to write and direct the pilot and will executive-produce alongside McKay and Betsy Koch through his Hyperobject Industries. The series will be co-executive-produced by “Shiva Baby” producers Lizzie Shapiro, Kieran Altman, and Katie Schiller....

According to StudioCanal’s official synopsis, “Music” stars Ziegler and Kate Hudson as half-sisters whose lives are forced together when Hudson’s Zu becomes the sole legal guardian of Ziegler’s Music. “The musical drama explores the tenuous bonds that hold us together and imagines a world where those bonds can be strengthened in times of great challenge,” the synopsis adds. “Hamilton” Tony winner Leslie Odom Jr. stars as Ebo, Music’s neighbor and who acts as a caretaker for her....

To do that, the show took a page out of ESPN’s playbook. The Season 48 premiere opened with a clever parody of “ManningCast,” ESPN’s alternative broadcast of “Monday Night Football” games that features retired quarterbacks Peyton and Eli Manning offering a more lighthearted commentary than what viewers would hear on the flagship broadcast. But instead of a football game, the sketch saw Peyton (Miles Teller) and Eli (Andrew Dismukes) analyzing the new “SNL” cast....

“As for the bad rap about the characters,” the late critic wrote of George Lucas’s opus, “Hey, I’ve seen space operas that put their emphasis on human personalities and relationships. They’re called ‘Star Trek’ movies. Give me transparent underwater cities and vast hollow senatorial spheres any day.” Ouch. But here’s the thing: “Star Trek: Discovery” Season 4 has reached that level of eye-tickling worldbuilding and has done so seamlessly. The season premiere, titled “Kobayashi Maru,” actually has a couple scenes set in a transparent underwater city that’s gorgeous to behold....

When Tim Burton relaunched the popular superhero as a marquee name in 1989, the tangled webs of both the DC Extended Universe and the Marvel Cinematic Universe were a distant glimmer in Hollywood’s eye, and the last time a superhero film had topped the box office had been way back in 1981 (“Superman II”; its 1983 followup, “Superman III,” didn’t crack that year’s top 10). Burton’s “Batman” eventually spawned four films…and three stars, with original star Michael Keaton only sticking around for two entries, followed by single showings for both Val Kilmer and George Clooney....

In an odd couple pairing, Collette and Anna Faris play sisters Macey and Savanna, who are struggling to keep their family business afloat. When they learn that their wealthy and childless Aunt Hilda (Kathleen Turner) has taken a turn for the worse, scheming Savanna suggests they ingratiate themselves to her in the hopes of securing their inheritance. Though kindhearted Macey has reservations at first, the threat of losing her first decent boyfriend in years to a faraway promotion clouds her judgement....

Indeed, it’s about Sam’s crucible to become the first Black Captain America in a chaotic, post-Blip world, and teaming up with Bucky/Winter Soldier (Sebastian Stan) after disastrously relinquishing the shield to John Walker (Wyatt Russell). From a visual standpoint, the shield was the driving force for cinematographer P.J. Dillon. “Kari definitely wanted to take a slightly rougher approach than the features, and she wanted the aesthetic to be a little darker,” he said....