Mona Lisa And The Blood Moon Review More Style Over Substance
In some respects, “Mona Lisa and the Blood Moon” — Ana Lily Amirpour’s latest feature, premiering at this year’s Venice Film Festival — could be called a return to form, or at least a return to the tropes and visual tendencies the Iranian-American director showed in her promising 2014 debut, “A Girl Walks Home Alone at Night.” After Amirpour’s disastrous collaboration with Netflix in “The Bad Batch,” “Mona Lisa” feels like a movie that is of a kind with her initial preoccupations....