Kyle, Stan, Kenny, and Cartman will make their Paramount+ debut when “South Park: Post Covid” premieres on the streaming platform November 25 in time to make your Thanksgiving watchlist. In “South Park: Post Covid,” the gang is navigating post-pandemic life. Fans will also get to see adult versions of Kyle and Stan reconnect over the phone after Covid changed everything. “You remember when we were little as friends, we said we’d always be there for each other when things got bad?...

Ida (Angeliki Papoulia of “Dogtooth”) is a Greek wanderer with the mien of a woman more at home on the road than in any fixed abode. She carries herself with the resolute, slightly detached energy of someone driven by highly personal motives, coming into her own in two long sequences of swimming in the sparkling sea. Wittmann tends to film Ida in motion, whether through the circular movements of an assured breast-stroke or hiking a chalky coastal hill to the soundtrack of cicadas screeching....

The vote is similar to the presidential Electoral College, where each local has a number of delegates in proportion to their size and the majority vote awards delegates on a winner-take-all basis. For the Hollywood Basic Agreement, the vote was 256-188 from delegates representing the 13 Hollywood Locals. For the Area Standards Agreement, the vote was 103-94 from delegates representing 23 locals nationwide. As can happen in U.S. presidential elections, the Basic Agreement lost the popular vote despite winning the delegate vote: 50....

Johnson’s latest film brings his whodunnit franchise to Netflix, with Daniel Craig reprising his role as masterful southern-fried detective Benoit Blanc. But everything else about the film is new, as Blanc travels to Greece to solve a new case featuring a murderer’s row of suspects that includes Edward Norton, Ethan Hawke, Kate Hudson, Dave Bautista, Janelle Monae, Jessica Henwick, Madelyn Cline, and Kathryn Hahn. At IndieWire’s FYC Consider This Brunch in Hollywood November 18, the film’s producer, Ram Bergman, editor Bob Ducsay, and composer Nathan Johnson sat down for a panel moderated by IndieWire’s Eric Kohn....

“That was horrible. Nobody wanted to be there. Nobody wants to do that, but if it’s telling a story then you have to tell it truthfully,” Rheon said. “They didn’t sensationalize it or anything. It was very, very hard watching. It’s a horrible thing that happens, unfortunately… It was the worst day of my career.” Rheon continued, “Chopping someone’s finger off you don’t really see it, and when you’re doing like a close up, it’s a piece of plastic....

“I actually cut about 10 minutes of the movie targeting gunplay action,” Cameron said in an interview with Esquire Middle East. “I wanted to get rid of some of the ugliness, to find a balance between light and dark. You have to have conflict, of course. Violence and action are the same thing, depending on how you look at it. This is the dilemma of every action filmmaker, and I’m known as an action filmmaker....

The label previously released a new LP for the soundtrack for “The Thing,” which Carpenter also composed along with directing the film, that resurrected lost cues from the original score. The “Escape from New York” score was written by Carpenter and co-produced by Carpenter and Alan Howarth. Howarth used equipment such as ARP and Prophet-5 synthesizers, plus a Linn LM-1 drum machine, as well as an acoustic piano and Fender guitars, to create the film’s soundscape, while Carpenter composed the melodies on synthesizer keyboards....