The screenplay is written by Christina Hodson (“Birds of Prey”) from characters created by Gardner Fox and Harry Lampert. Ezra Miller’s Barry Allen travels back in time to stop his mother’s murder, generating unintended consequences. Joining the cast are Ben Affleck as Bruce Wayne aka Batman; Michael Keaton also as Bruce Wayne aka Batman in an older, alternate universe; Sasha Calle as the Kryptonian Supergirl; and Kiersey Clemons as journalist Iris West, aka Barry’s love interest....

Kahn, who previously directed the 2016 short “Into the Unknown” about the team behind the telescope, has expanded that project into a rambling, existential assemblage of amateur astronomers and dedicated scientists — most of whom are women — musing on the potential of life on other planets. Kahn’s earnest overview is not always the sum of its parts: It lacks the awe-inspiring production values that make “Cosmos” so fun and the gravitas of astronomically inclined documentaries like “Nostalgia for the Light....

DiMartino announced the news Wednesday morning in an open letter on his website, which can be read here. “When Bryan and I signed on to the project in 2018, we were hired as executive producers and showrunners. In a joint announcement for the series, Netflix said that it was committed to honoring our vision for this retelling and to supporting us on creating the series. And we expressed how excited we were for the opportunity to be at the helm....

Not that “The Woman King” doesn’t orchestrate large-scale action scenes or create involving environments its heroes need to run, chase, and fight their way through deeper into its run time, but the opening sequence does feel like a thesis statement — one that required as much group training offscreen as it does onscreen. “We trained throughout the entire movie. So if [the actors] weren’t on camera, they were in the rehearsal space still training, learning [fight choreography], and still refining their skillset with the weapons....

“We were going to do Bob Dylan with Mangold that didn’t happen, with Timothée Chalamet, about going electric in the ’60s, and it would have been my third ’60s movie in a row,” said Papamichael, who last collaborated with the director on 2019’s “Ford v Ferrari.” This year, Papamichael also shot the 1960s-set “The Trial of the Chicago 7,” depicting a tumultuous period of protest that certainly had plenty of crossover with Dylan’s own life and work....

The year is 2007 and Colicchio has just opened Craft LA. Having been in the restaurant business for a while, the chef had established a friendly rapport with Pulitzer Prize-winning food critic and Los Angeles icon Jonathan Gold, and yet hadn’t received a review for the restaurant from the writer, then working at L.A. Weekly. So Colicchio waited. For years. And not only did Gold never review Craft LA, but it never appeared on his list of 100 best restaurants in L....

In this riveting film, a five-year-old girl and her mother live among a community that has made long-abandoned subway tunnels their homes. When the pair is forced to head above ground into a cold winter night, Little (Zhaila Farmer) and her mother Nikki (played by co-director Held) are plunged into a challenging world that makes their uncertain underground life seem idyllic by comparison. IndieWire’s Eric Kohn reviewed the film warmly out of Venice, and named it one of 2020’s best undistributed features....