“Never say never, of course, but right now we are focused on a full slate of other Intrepid projects for 2021 and beyond,” Flanagan added. “If things change we will absolutely let everyone know!” Intrepid Pictures is Flanagan’s production company, which wrapped filming on the new Netflix horror series “Midnight Mass” earlier this month. Instead of moving into production on a third “Haunting” chapter, Flanagan and his team went to work on the original horror idea “Midnight Mass,” which is set to run seven episodes on Netflix....

Here’s everything we hope to see in “House of the Dragon” Season 2. 1. Lucerys Avenged Sweet, strong (sorry) Lucerys Velaryon died horribly and too young, a pawn in the war against his mother and an indescribable loss for her. His is the first major death in the war and the series and will undoubtedly lead to massive repercussions for both sides. The Blacks may come for Aemond directly, or for Vhagar, or for the entirety of Aegon’s family as they avenge the boy who would have sat the driftwood throne....

“House of the Dragon” is created by “Thrones” author George R. R. Martin and USA Network’s “Colony” creator Ryan Condal, who is serving as showrunner of the series with Miguel Sapochnik. “Thrones” fans might recognize the name Miguel Sapochnik, as he is one of the series’ most beloved directors, having helmed “Battle of the Bastards,” “The Long Night,” and other famous episodes. Sapochnik won an Emmy for directing “Battle of the Bastards....

Halfway through the “House of the Dragon” premiere, Princess Rhaenys Targaryen (Eve Best) wearily utters the above proclamation to no one in particular. A gaggle of young knights have begun beating the hell out of each other, thus spoiling the celebratory mood of House Targaryen’s birthing-day festivities. Given the outsized egos of men who, as the Princess shrewdly notes, have never seen real combat yet burn for the chance to prove themselves true warriors, it was only a matter of time until a sanctioned tournament of scored jousting devolved into unsheathed swords and severed limbs....

“Babe” earned $64 million domestically and $254 million worldwide, and grabbed seven Oscar nominations, including Best Picture, Best Director (for Chris Noonan), Best Adapted Screenplay (Miller & Noonan), and Best Supporting Actor (for James Cromwell as avuncular Farmer Hoggett). Yet its lone prize was for Best Visual Effects, beating Universal’s heavily favored “Apollo 13.” Thanks to the landmark collaboration between VFX studio Rhythm & Hues (overlaying CG animation over live-action animal footage), and more advanced animatronics from London-based Jim Henson’s Creature Shop, and Australia’s John Cox’s Creature Shop and Robotech, “Babe” altered the landscape of the industry....

Sundance is known for delivering high-profile documentary Oscar winners like “American Dream,” “An Inconvenient Truth,” “Searching for Sugar Man,” “The Times Of Harvey Milk,” “The Cove,” “Man on Wire,” and “20 Feet From Stardom.” This year’s Documentary Feature Oscar nominees included three Sundance 2020 non-fiction world premieres: Nicole Newnham and Jim LeBrecht’s “Crip Camp,” Garrett Bradley’s “Time,” and Maite Alberdi’s “The Mole Agent.” A fourth, Alexander Nanau’s “Collective,” which debuted at the fall 2019 festivals, screened in the Sundance 2021 Spotlight selection....

Over the course of an eight-episode season, “I Hate Suzie” looks at multiple prongs of the aftermath of this breach of personal privacy. Suzie (Billie Piper) tries her best to reclaim any sense of sure footing, while those telling her story — both the in-show entertainment apparatus and the team behind “I Hate Suzie” itself — each do their best to reframe what we know about this woman who now finds herself in a tornado of chaos....