How Drive My Car Became A Success Thanks To Sideshow And Criterion
Daring, non-English language cinema challenges even the bravest distributors. That was certainly the situation at Cannes last July, when more than one buyer told me they were having a hard time parsing the marketplace potential for several of the festival’s critical darlings. One of these was “Drive My Car,” which took 30 minutes to roll its opening credits and used a quiet, enigmatic approach to craft the world of a widowed theater director rediscovering his creative passion through a multilingual version of “Uncle Vanya....