In a recent interview with Insider, the question came up as to why Keitel hasn’t worked with Tarantino again. He said that the answer lies “not on my part,” but instead on Tarantino’s. “I’m telling you this story is not over,” he said, adding upon being asked about Tarantino, “I’m silent right now but the story is not over.” Keitel went on to say, “The story is not over because what we did when we met can’t be over....
“Homeroom” is about the senior class of 2020. While these resilient kids may not be aware of the looming health crisis that will shit all over their spring semester and complicate whatever plans they may have, we can’t help but wince at how they talk about the future. But a dark pall would’ve been cast over “Homeroom” even if the coronavirus hadn’t been allowed to seep unchecked into American life, and even if the second half of the school year hadn’t been punctuated by the murders of George Floyd, Breonna Taylor, and Ahmaud Arbery, among other innocent Americans whose plights resonate personally with the majority Black and brown students in this film....
Directed by “Ozark” co-creator Mark Williams, the movie lacks the sense of unpredictability from the hit Netflix show, where a high-stakes criminal enterprise endangers one family’s long-term future. That happens, here, too — but in much more familiar terms. Williams and co-writer Steve Allrich have constructed your typical tale of personal vindication, spreading it across a formulaic saga that teems with the expected mano-a-mano skirmishes, and by-the-numbers car chases, while centering it all on one man’s mission to make things right for the sake of (what else?...
“I started writing music three or four months before shooting,” said the “Black Panther” Oscar winner, who was available when Hans Zimmer committed to Denis Villeneuve’s “Dune.” Chris was actually in town and we had a lot of time together, listening to demos I created, so we analyzed every little sound, and we started building our sound world very early. When Chris first mentioned that he wanted the guitar to not sound like a guitar, I had to rethink how to record a guitar with a lot of sonic options....
The beloved Scarers of Pixar’s “Monsters, Inc.” are back. Mike (Billy Crystal) and Sulley (John Goodman) return in the 10-episode series, “Monsters at Work,” which officially debuted on Disney+ on Wednesday. Produced by Disney Television Animation, “Monsters at Work” was inspired by the Oscar-winning film and features returning characters alongside a slew of newbies. With a Disney+ subscription, you can stream “Monsters at Work” and other content on up to four devices at once, or download episodes to watch later....
Lawrence exists on a continuum that also includes “Rushmore’s” Max Fischer and “Lady Bird’s” Christine “Lady Bird” McPherson, but he’s a more realistic character than either of them. All teenagers think that they’re special and it’s extremely unfair that the world has yet to recognize their gifts. But “I Like Movies” is too grounded of a film to entertain these fantasies. Making her feature debut, writer-director Chandler Levack has pulled off a rare trick here by making a movie that feels warm and safe without coddling its protagonist....
“Tonally, I think we were all wondering if the filaments would come to the magnet,” said executive producer and co-showrunner Jonathan Lisco while speaking on a panel moderated by IndieWire editor-in-chief Dana Harris-Bridson. “Because there’s a lot of different tonalities in here, which we thread together into this single impact on our audience.” The “Yellowjackets” team wasn’t alone in juggling that problem. A common topic at the brunch was fusing multiple thematic elements into something coherent....
