Demonic Review Neill Blomkamp Returns With Visually Inventive Horror
And yet, despite those increasingly ridiculous examples, Blomkamp’s impetus to let digital tools drive his storytelling has never been more transparent or contrived than it is in his DOA new horror film “Demonic,” which leans on three sequences created with volumetric capture (described by Blomkamp as a kind of three-dimensional video system through which the actors are simultaneously recorded with 260 cameras and then “turned into geometry”) to spice up an undercooked possession saga....